646f9e108c Three fraternal bank robbers languishing in jail, discover a profitable (if not dodgy) way to spend their time. Crime can most certainly pay, if you "know wot I mean?" However when sex and greed rear-up between the good crims and the bad cops, the consequences are both bizarre and fatal.
Summary:<br/><br/>Script: Very poor. Plot doesn't know where it's going; proves uneventful.<br/><br/>Cast: Wonderful cast, but they are wasted in this travesty of a film.<br/><br/>Verdict: I resented wasting $12.80 on this piece of garbage. The only good news was it was probably the pick of the films I saw that weekend. It was better than the Mothman Prophecies, and Kikujuro was so sickly sachharin I was almost spewing in the aisle.<br/><br/>I know, we're told to go along, and are encouraged to support the Australian film industry, but with films like The Hard Word coming out, every now and then, I think we shouldn't have a film industry. Thank god for films like Lantana and Alibrandi, which are films which prove we have at least some good directors and actors in Australia, still.
If you watch The Hard Word expecting yet another heist/caper flick in the vein of The Bank Job, you're going to be frustrated. At first, the film feels like it's all setup, with no payoff. Then you realize: this IS the film. It's not about some sort of grandiose criminal scheme. It's about these *people,* and their very individual outlook on life. And on that basis, it's really quite brilliant.<br/><br/>The three brothers each have their own peculiar point of view. There's the tough guy (Pearce), the oddball (who strikes up an out-of-the-blue love affair with his prison counselor), and the soulful butcher (who gleefully slaughters pigs, but wouldn't hurt a fly). Then there's Frank: the criminal jerk who just can't seen anything but the next big score, and thinks he can manipulate everyone. And, right in the middle, Rachel Griffiths' character – a somewhat unwilling and perhaps incompetent femme fatale.<br/><br/>There's plenty of action in the film, including a climactic heist, but these events are surprisingly low-key. The movie isn't about who gets away with how much. It's justmuch about blood sausage, and unusual uses for a lava lamp, and sticking things in a cow, and a dyslexic hit-man… a whole string of strange events that might have been enough for several movies.<br/><br/>I found myself puzzled by the film at first, then swept along by its endless stream of remarkable occurrences. And, in the end, I became absolutely enchanted by the three incorrigible brothers, and their optimistic motto: "Nobody gets hurt." The ending, when it arrived, was exactly what I was by then hoping it would be. It left me with a big grin that took hours to wear off.<br/><br/>Don't go into this expecting a down under version of Ocean's 11. This is much more like The Ice Harvest, or Things to Do in Denver When You're Dead – a sort of existentialist film noir fable. And a pure delight, provided you're in a receptive frame of mind.
Convoluted yet simple-minded, the movie frequently equates verbosity with wit.

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